glimmers of light glance off the glassy lake
vivid brights dance across the morning skies
entire populations come to wake
desolate landscapes no more, in sunrise
radiance abounds, gleaming in luster
the world is swathed in a brilliant blaze
glowing fields of wheat, growing in clusters
the sunlight conquers all, a shining haze
once again colors paint the evening skies
the sun descends from its majestic throne
sinks below the hills to meet its demise
left; a remainder of light which once shone
night swallows all skies, no light left to see
'till morning returns, the sun is now free
word noun \ˈwərd\ : a sound or combination of sounds that has a meaning and is spoken or written
Friday, February 28, 2014
Sonnet
Thursday, February 13, 2014
Martin Espada
The poems “Two Mexicanos Lynched in Santa Cruz, California, May 3, 1877,” “Revolutionary Spanish Lesson,” and “ New Bathroom Policy at English High School” by Latino poet Martin Espada depict ignorance towards Mexicans and the misguided actions behind it. Using irony and raw humor, Espada is able to stir up in the reader the same anger he feels himself. This anger, this passion, threads all three poems together and causes the reader to connect emotionally to the racial hatred expressed.
In “Two Mexicanos Lynched in Santa Cruz, California, May 3, 1877,” the speaker emphasizes ignorance by showing readers how blinded people can be by racial differences. Espada gives us a glimpse of the bigotry and violence directed towards Mexicans because of their foreign culture. In this poem describing a photograph, two Latino corpses hang while nearby, vigilantes cheer about their supposed “victory,” over the Mexicans. Espada starts the first three stanzas of the poem with the words “more than” and starts the last stanza with “remain the faces of the lynching party.” These words explain how the vigilantes were ignorant enough to commit a crime so horrible and still be proud of their actions. While gazing at the weathered photograph, Espada observes “A high-collar boy smirking, some peering/ from the shade of bowler hats, but all/ crowding into the photograph.” These men and women seem not to mourn the unfair death of the Mexicanos, but rather take credit for it. More than the death of the Mexicans, the real thing to be mourned is the disgusting birthday-like celebration being expressed in the picture.
The poem “New Bathroom Policy at English High School,” highlights ignorance of the powers that be with an entertaining anecdote. “The boys chatter Spanish/ in the bathroom/ while the principal listens from his stall/ the only word he recognizes/ is his own name/ this constipates him.” Firstly, being that he cannot understand any Spanish, the principal has obviously never made an effort to learn the language. Already, readers have an understanding of who this “principal” character is. Secondly, the fact that merely hearing his name spoken by his students makes him so disgruntled is rather pitiful. The speaker orates “So he decides to ban Spanish from the bathrooms/ Now he can relax.” How threatened the principal feels by foreign cultures and languages is absurd. The line “Now he can relax” makes me think of the concern and anxiety he felt, thinking that the children were talking about him. Ignorance caused him to assume the worst in the children, and punish them just because he had the power to do so.
The poems “Two Mexicanos Lynched in Santa Cruz, California, May 3, 1877,” “Revolutionary Spanish Lesson,” and “ New Bathroom Policy at English High School” all illustrate ignorance of the more fortunate poorly affecting another, less fortunate group (in this case Mexicans.) Overall, exploring and analyzing these emotional poems made one better understand bigotry and racial hatred. While these poems may seem mocking and irate, they help inspire the reader to take a stand against such themes in their daily life.
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